Reviews
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Notes on Trinidad Carnival: Photographs by Jeffrey Chock |
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Written by Jacqueline A. Morris
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Friday, 15 December 2006 |
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By Gordon Roehler Jeffrey Chock in Trinidad Carnival: Photographs by Jeffrey Chock through nearly two hundred portraits taken over two and a half decades, presents the viewer with a detailed visual narrative of important aspects of the metamorphosis of Trinidad’s Carnival. Chock’s eye for the different colours, moods, masks, faces, sights, lights and movements of Carnival startles this normally impassive spectator, veteran of only thirty-seven Carnivals and still young in the business, with the variety of what one has not seen, either because one hasn’t been there, or because of a defect in the eyes through which one has been gazing on the seemingly familiar. |
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Last Updated ( Monday, 18 December 2006 )
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Review in BWIA Caribbean Beat Magazine |
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Written by Jacqueline A. Morris
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Sunday, 15 October 2006 |
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July/ August 2006, p 22
Trinidad Carnival: Photographs by Jeffrey Chock with text by Tony Hall, Hélène Bellour, Samuel Kinser, Karmenlara Seidman and Kim Johnson (Medianet, ISBN 976951374-1, 190 pp)
Trinidad Carnival is essentially ephemeral. For two glorious, riotous days the streets are filled with bodies, colours, music, mud, feathers, voices, human beings transformed into creatures beautiful and ugly, ethereal and terrible, in a communal ritual both sacred and profane. Then on Ash Wednesday morning the garbage and broken pieces of costumes are carted away, and what survives are memories – and photographs.
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Written by Jacqueline A. Morris
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Sunday, 15 October 2006 |
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The Caribbean Review of Books, Vol. 9, August 2006
By Mark Lyndersay
Jeffrey Chock’s book of Carnival photographs is an important installment in the sparse image chronicles of Trinidad and Tobago and that’s exactly why it’s so irritating to have to note that it’s also a disappointment. Chock’s work is excellent, a vivid, intimate record of Trinidad Carnival’s energy, colour, and human engagement, but the book is undercut on too many pages by issues of pre-press and reproduction quality that put an unwelcome screen between the viewer and the immersive experience that the photographer worked so hard to convey.
It would be disingenuous of me not to note that I am also a photographer, one who has traversed some of the same streets as Chock, sometimes in parallel with him. I have also had a book of photographs published on quite different subject matter with quite similar results, the gap between what I shot and what rolled off the presses being so large as to be depressing.
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Last Updated ( Sunday, 15 October 2006 )
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Written by Jacqueline A. Morris
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Wednesday, 26 July 2006 |
"Photographs never lie," so they say. The fact is that along with the invention of photography in the 1830s came the development of a myriad of clever and creative ways to alter those images. Debates about "truth" and "authenticity" in photography followed hand in hand. When I look at Jeffrey Chock's Carnival photographs, this debate seems academic and trivial. Carnival is in Chock's bones and his photographs are true, in every sense, simply because they leave no doubt of it. "This book is dedicated to my mother, Ursula Gibbings, who sewed Carnival costumes" reads the simple, yet eloquent tribute centered on an otherwise blank page at the book's beginning. Jeffrey Chock's intimate knowledge and understanding of this festival inform his intuition. He understands the spaces, the rhythms, the negotiations. The photographer Henri Cartier-Bresson spoke of the art of taking a photo-portrait by comparing it to putting the camera between the subject's skin and his shirt. "You see people naked," he said. Chock shows us Carnival naked, in all its ravishing beauty and with all its quirks. His portrait of Carnival is affirming, unapologetic, vigorous. No photographer that I know of has documented Trinidad Carnival with such integrity.
Pablo Delano July 23, 2006 |
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Written by Jacqueline A. Morris
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Wednesday, 19 July 2006 |
Chock, Jeffrey. Trinidad Carnival: Photographs by Jeffrey Chock. Contributing writers Tony Hall, Hélène Bellour and Samuel Kinser, Karmenlara Seidman, Kim Johnson; cover and book design, Merylle Mahabir. Port of Spain, Trinidad: Medianet, Ltd., 2005. 190 pages. Pretty is to Beauty as Platitude is to Truth. Peter Minshall, 2006 The opening sequence of Jeffrey Chock’s long-awaited volume of Trinidad carnival photographs illustrates the sensitivity, range, insight, and focus of this remarkable book. From the moment the reader’s eye catches the “eye, eye, eye” of Noble Douglas’s Lilliputians against the diminished backdrop of Trinidad hills and clouds to the darkly elegant splendour of Narrie Approo’s black Indian mas, the photographs define the world of Trinidad carnival as simultaneously beautiful, terrifying, whimsical, fierce and joyous. The book fulfills the promise of its photographic prelude, presenting in the words of Tony Hall “an awakening which manifests when principles of creativity embedded in the secret, subterranean and subversive, survival strategies of Caribbean people are meditated on, mused on, probed or invoked” (“One Jamette Moment in Time,” p. 3). |
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